In addition to the shower of illustrations coming from two of my more regular clients during this month (chronicled in two separate entries for April), I also had a few other assignments trickle in from other corners of the client base. The illustration above was another of my fiction pieces for Alfred Hitchcock’s Mystery Magazine. This one concerned a teenage runaway who is taken in by a mysterious stranger.
A newer client, D Magazine from Texas, who I had done a few pieces for previously over the past year, gave me a trio of spot illustrations to work on. These were on a variety of subjects (which I have now long forgotten), but I seem to remember that they all had to pull together somehow by having a common ‘look and style’.
They were all to do with money in one way or another, so I had the idea of trying out a new technique, trying to make them look like extreme enlargements of engravings on a dollar bill, distressing the lines, using a dark green for the linework instead of the usual black, and trying to keep things rather stylized, but at the same time giving them a lighter humorous touch. It was fun working in a different technique, after so much scratchboard lately, and gave me a heady feeling of walking a tightrope without a net.
My favorite of the three, even though I really have no idea to what it refers to, is the toilet brush illustration. It just makes me laugh for some reason.
I also received a same day illustration from Newsday sometime during the month. This was a editorial essay about hiring undocumented aliens and paying them under the table. I seem to remember that some political figure at the time was in hot water for doing something of this sort.
And finally, a color piece for Barrons, this one about investing in ‘junk bonds’. A busy month, so much so that I almost completely forgot most of the drawings that I did during this period, in the rush of activity, and am only now getting reaquainted with them as I work my way through the archives.